Francisco Baquerizo
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© francisco baquerizo racines 2025

Francisco Baquerizo
  • Trabajos seleccionados
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La Quema returns to the port! 28–30 March (11:0 La Quema returns to the port! 28–30 March (11:00-19:00) A single-channel version of La Quema (del Planeta “B”) will be shown at @mondriaanfonds Prospects 2025 during @art_rotterdam Curated by @elvisgustavsson and @louisebjeldbak This work was realized with the support of #mondriaanfonds #Prospects2025 #ArtRotterdam
HOY/OTRA VEZ (La Quema en el barrio Pradera 3, Sur HOY/OTRA VEZ (La Quema en el barrio Pradera 3, Sur de Guayaquil, 2023.) End of IFFR 2025/Onset of Election Day in Ecuador 2025 THANKS TO/GRACIAS A: IFFR, Eva Langerak, Chris de Krijger, Katoenhuis, Popkraft, Mondriaan Fonds. SPECIAL THANKS TO/CON ESPECIAL AGRADECIMIENTO A: Asoc. de Artesanos “Seis de marzo” Barrio Pradera 3 in Guayaquil Katayoon Barzegar Juan José Baquerizo Jorge Luis Baquerizo Adrián Balseca Andreas De Vuyst Felipe Troya Stefan Cammeraat Tayron Luna Juan Camilo Saman Gabriel Peña X Andrade Ana Morán Edison Andrés García Yépez María Gabriela Carpio Juan Carlos Castro Jose Rosales Christian Lesmes Cuerpo de Bomberos de Guayaquil
La Quema (del Planeta “B”) / The Burning (of P La Quema (del Planeta “B”) / The Burning (of Planet “B”) Official Selection @iffr 2025 Poster: @adrian_balseca Produced by: Francisco Baquerizo Racines Joshua Jurado @shigratoys ‘Año Viejo’ Production Artists: Joshua Jurado and Diego Cuesta (Taller ‘Estudio Infinito’) @infinitoestudiotaller @diegocuestavelasquez Artists Assistant: Ana Morán Production Assistant: Kevin García @kev_raul Direction Assistant: Gabriela Plaza @gabrielaplazal Camera: Darío Herrera Crespo @puntodevistaec Second Camera Operator: Rodrigo Molina @suorx Camera Assistant: Ángel Armijos @angel_armonge27 Sound: Roberto Bastidas @bastienaudio Sound Assistant: Wilson Párraga Castillo @wilson.eduardo_ Location Scout: Geoffrey Barreto Catering: Juan Camilo Saman @juancamilosaman Production Stills: Katayoon Barzegar @katayoon.barzegar Francisco Baquerizo Racines Editor: Francisco Baquerizo Racines Colorist: Darío Herrera Crespo @puntodevistaec Sound Mixer: Roberto Bastidas (Audio Bastien) VO Recording: Olivier Terpstra @olivierterpstra Motorbike Rider: Rodrigo Molina Participants in ‘Burning’ Segment: Pedro Guerrero Diego King Alfredo Castillo Paste-Ups in Guayaquil: Tony Balseca Documentation Paste-Ups: Melani Quiñones Shipbreaking Yard Owner: Tomás Merchan Shipbreaking Yard Caretaker: Pedro Guerrero Commissioned Painting ‘La Quema’: Iván Zuco Custom-bench in Collaboration with: Christian Lesmes @tankaraco With the Support of: Mondriaan Fund @mondriaanfonds
I’m thrilled to share a first preview of La Quem I’m thrilled to share a first preview of La Quema (del Planeta “B”)/The Burning (of Planet “B”)—a project I’ve been working on for the past two years—which will have its world premiere at the 54th edition of the International Film Festival Rotterdam @iffr as part of the Art Directions: Installations programme. The work will be displayed at @katoenhuis during the festival. La Quema reflects on the 1624 burning and sacking of Guayaquil by the Nassau Fleet through the lens of Ecuador’s current vernacular practices, namely año viejo—a popular custom wherein paper dolls are collectively burned during New Year’s celebrations. This mestizo ritual challenges linearity, proposing the Andean zig-zag perspective of renewal through repetition. The creation of these objects embodies Guayaquil’s vibrant popular culture and capitalist-driven desires while, paradoxically, creating a space for (political) protest. In a context where sustaining artistic practices is precarious, the practice of this cultural custom has given rise to informal economies. Artists Joshua Jurado and Diego Cuesta—both based in the south of Guayaquil—were invited to construct a galleon-shaped año viejo inspired by the Dutch East India Company (VOC) vessel Amsterdam. Paraded through the city before being incinerated, it marked 400 years since the original event, making this action a symbol of resilience within colonial fantasies like the elusive ‘Planet B.’ Shot during one of Guayaquil’s recent peaks in violence related to extractivist legacies, this project reflects on two perspectives, from two distinct moments, under one hegemonic system. La Quema (del Planeta “B”) stands as a firm question to that same system that has shaped our bodies, ethics, and thoughts in service of capital. Special thanks to everyone who contributed to this project, including @mondriaanfonds for the support. @shigratoys @diegocuestavelasquez @infinitoestudiotaller @puntodevistaec @bastienaudio @kev_raul @suorx @gabrielaplazal @angel_armonge27 @wilson.eduardo_ @adrian_balseca @katayoon.barzegar @juancamilosaman @tankaraco @a.moran.ps @olivierterpstra @mskdnothing
Untitled (Double BB) #PlanetaB Untitled (Double BB) #PlanetaB
Planeta B® (P.P.) #apuntesdequema #planetB Planeta B® (P.P.) #apuntesdequema #planetB
Triple Bananita (or ‘El Value Pack’) #BuenoBon Triple Bananita (or ‘El Value Pack’) #BuenoBonitoYBarato #ThereIsNoPlanetB #4011
Mundo de las Copias (World of Copies) #PlanetaB Mundo de las Copias (World of Copies) #PlanetaB
Arenita. [“Labor rights made me this way, Sandy. Arenita. [“Labor rights made me this way, Sandy.” This version attributes “SpongeBob’s” (or at this point, whoever’s) condition or behavior to labor rights.] #FromPlanetBWith …
3 ’Bs' en 'Pirate B.' #TripleB #ColeccionPirata 3 ’Bs' en 'Pirate B.' #TripleB #ColeccionPirata
Galón 'B' (jerrycan) #laquema Galón 'B' (jerrycan) #laquema
A whole bunch of “Paloma”. However, in this A whole bunch of “Paloma”. However, in this context, “paloma” is not used literally but as part of the idiom.
The Fleet & Co. (apuntes de quema) #nassauschevloo The Fleet & Co. (apuntes de quema) #nassauschevloot #apuntesdequema
or Chapa Acostado which literally means “laying or Chapa Acostado which literally means “laying down policeman,” however its true meaning is much more simple: speed bump. #ElProgreso
Alias “The Dandy” (vonita B) #FromPlanetBwith Alias “The Dandy” (vonita B) #FromPlanetBwith #ThePaladinOfProgress
Del archivo de quema #1, 2024 (ruta pirata & Flami Del archivo de quema #1, 2024 (ruta pirata & Flamita™) #guayaquil #1624
TOP MIGRATÓN MIXES #2023 (or los éxitos #Tropico TOP MIGRATÓN MIXES #2023 (or los éxitos #TropicoAndino del ayer & hoy) #EcuadorianMigraton #playlistdefindeaño
400 años…y el “Tropic” (o Planeta B)/400 ye 400 años…y el “Tropic” (o Planeta B)/400 years…and the “Tropic” (or Planet B) #apuntesdequema #tropics #ExtractivismOnInstagram
Untitled (notes on the symbolic) A concise (and i Untitled (notes on the symbolic) A concise (and intervened) glimpse into extractivism's portrayal on Ecuadorian (and Latin American) public TV in the last few decades. In this context, ‘extractivism’ refers to a range of actions that have profoundly influenced Ecuador’s (and the whole region’s) economic, social, political, and cultural landscapes. - Una visión concisa (e intervenida) de la representación del extractivismo en la televisión pública ecuatoriana (y latinoamericana) en las últimas décadas. En este contexto, 'extractivismo' se refiere a una serie de acciones que han influido profundamente en el panorama económico, social, político y cultural de Ecuador (y de toda la región). - Special thanks for technical support to @roelweerdenburg as well as to @hkumafa (MSP) and @whereiscasco for the brief showcase and warmness. ‘El Pila Pila’ written and performed by Bayronn Caicedo “El Duro del Ecuador” @el_duro593 #postcapitalism #pilapila #extractivismoninstagram
From “Planet B” with…(Gracias) #flamita #rev From “Planet B” with…(Gracias) #flamita #reversingfaya
Mambo Kings™ (& The fair trade movements) #meren Mambo Kings™ (& The fair trade movements) #merengonfairtrade
Found object #1 (looking for highly skilled migran Found object #1 (looking for highly skilled migrants) #object #migration
“Flat-Pack” Low Priced Goods ™ #MirroringSou “Flat-Pack” Low Priced Goods ™ #MirroringSouthOrGoldingNorth #drawing #TB
NEW GENERATIONS #ethnography #drawing NEW GENERATIONS #ethnography #drawing
SEGUIR/FOLLOW