In his practice, Baquerizo Racines creates visual worlds situated in specific realities where he explores the dichotomy between the spheres of “Center” and “Periphery,” the “legal” and “illegal.” He is interested in unearthing histories and aims to transform the roles of those who “see” and those who are “seen”—the latter often referring to colonized territories in the so-called Global South. Baquerizo’s perception of these two seemingly opposing spheres becomes a commentary, and his work an invitation to join a conversation about representation within the notion(s) of repair.